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Saturday, December 26, 2009
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Wednesday, December 23, 2009
Friday, December 11, 2009
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Thursday, December 10, 2009
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This club brings together people of different ages, not just young people. The atmosphere is aimed at balanced layers of local bohemian.
There is a pool. Care for non-smokers: in the club smoking in all rooms (though the ventilation works well and the smoke is not concentrated).
Wednesday, December 9, 2009
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Tuesday, December 8, 2009
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HOME: JANUARY 2010
LIMITED VACANCIES
INFORMATION AND REGISTRATION: talleres@teatroracional.com
THEATRE WORKSHOP FOR TEENS AND ADULTS
Conducted by: Franklin Dávalos
HOURS: Tuesday and Thursday from 3-5 pm
DURATION: 3 months (24 sessions)
COST: 170 soles a month
HOME: Tuesday, January 26
DIRECTED TO: Youth and adults, 16 to 24 years, with little or no theatrical experience
OBJECTIVE: Find and develop the necessary tools for stage work through various physical techniques
THEATRE FOR CHILDREN WORKSHOP
Conducted by: Franklin Dávalos
SCHEDULE : Monday and Wednesday from 10 am to 12 m.
DURATION: 3 months (24 sessions)
COST: 170 soles a month
HOME: Monday, January 25
AIMED AT: Children 8 to 12 years, willing to learn from their own creativity
OBJECTIVE: To develop, strengthen and playing with the expressive capacities of children, in order to achieve a better development not only on stage but in everyday
ACTING TRAINING WORKSHOP Conducted by: Franklin Dávalos
HOURS: Monday and Wednesday from 6 to 8 pm
DURATION: 3 months (24 sessions)
COST: 170 soles a month
HOME: Monday January 25
AIMED AT: People with some experience in stage work, who want to further investigate the physical preparation for Theatre
OBJECTIVE: To explore and exploit the capabilities and limitations of the body, to discover new tools and more aware of body before, during and after facing the stage work
ASSEMBLY WORKSHOP Taught by : Carlos Acosta
SCHEDULE: Tuesday from 6 to 9 pm and Saturday from 9 am to 12 m.
DURATION: 3 months (24 sessions)
COST: 150 soles a month
HOME: Saturday, January 9
OBJECTIVE: Further aspects of theatrical performance. At the end of the course, participants will be able to act in a theatrical production.
THEATRE PRODUCTION WORKSHOP
Conducted by: Claudia Sacha
HOURS: Saturdays from 4-6 pm
DURATION: 2 months (8 sessions)
COST: 120 soles a month
HOME: Saturday, January 9
AIMED AT: Over 18 years, interested in enter the field
theatrical production OBJECTIVE: To have basic knowledge needed for theatrical production plans
THEATRICAL MANAGEMENT WORKSHOP Conducted by: Carlos Acosta
HOURS: Saturdays from 3 to 6 pm
DURATION: 3 months (12 sessions)
COST: 100 soles a month
HOME: Saturday, January 9
AIMED AT: Actors and Students Theatre
OBJECTIVE: At the end of the course, participants will be able to plan and execute theater direction and show the necessary and essential bases to lead or make a montage, creating a methodology own
THEATRE WRITING
Conducted by: Claudia Sacha
HOURS: Saturdays from 10.30 am to 1.30 pm
DURATION: 3 months (12 sessions)
COST: 120 soles a month
HOME: Saturday, January 9
AIMED AT: Over 18 years, concerned to venture into the field of dramatic writing
aim of providing the necessary tools, a theoretical and practical to create a theatrical text. Write a short play
Wednesday, December 2, 2009
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Now I am also developing alternative English my main website dedicated to Saint Petersburg. Although I find it harder to do in Castilian, but I have some interesting things in English. For example, I made the Hermitage Theatre page dedicated to the famous Hermitage theater founded by Catherine the Great.
Hermitage Theatre.
Tuesday, November 24, 2009
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Referring to surrealism and writer Julio Cortázar, among cronopios, hopes and reputations, the group created a work that crosses obliquely the sixty minutes that lasts for the show.
Cast: Martin Vega, Gaston Martilotta Ariel Aguirre, Claudia Cesetti, Martin Sienra,
Luciana Morcillo, Dominica Medina, Santiago Alvarez Rodriguez, Fernando Conte, Patrick Finoli, Marisa Lopez
Drafting and Design: Juan Fioriti, Set Design: Luciana Morcillo-Vicente Wingeyer; Costume: Luciana Morcillo-Medina, Vicente Wingeyer Dominica; Address: Iván Moschner
Last function 7 December at 20.30 pm. in the nearby cultural center inaugurated Yatay 334, Ciudad Autónoma de Buenos Aires.
Saturday, November 7, 2009
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"A BUST THE BODY" by Ernesto Caballero (Spain)
ADDRESSES: Ina Mayushin
ACT: Anne Pfeiffer, Angelita Velásquez and Monica Maduro
SEASON: Only from November 13 to December 12
FUNCTIONS: Friday and Saturdays at 8:30 pm
WORK ON
Three women
three generations for his body unexpectedly has become problematic. The mother (cuarentipico), friend (treintipico) and daughter (college student), three different ways to live and relate to your body. The conflict arises when the friendly, beautiful and professionally well-positioned as they mourn the absence of prominent breasts, assesses the possibility of surgery.
"BUST A BODY" is a comedy funny, intelligent and subtle to put on the table the issue of female body interventions.
GENERAL ENTRY: 20 soles
STUDENTS: 10 soles
REPORTS: monicamadueno@ketoimpro.com
SALES AND RESERVATIONS: pilarcornejo@ketoimpro.com
Friday, October 23, 2009
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After nine months of preparation, the group Morena Cantero-theater Jrs. independently releases his new book "C, E, F.", Saturday 7 and Nov. 14 at 24 pm. at the Teatro Fray Mocho, Perón 3644.
Referring to surrealism and writer Julio Cortázar, among cronopios, hopes and reputations, the group created a work that crosses obliquely the sixty minutes the show lasts.
Cast: Martin Vega, Gaston Martilotta Ariel Aguirre, Claudia Cesetti, Martin Sienra, Luciana Morcillo, Dominica Medina, Santiago Alvarez Rodriguez, Fernando Conte, Patrick and Marisa Lopez Finoli
Drawing and Design: John Fioriti, Set Design: Luciana Morcillo-Vicente Wingeyer; Costume: Luciana Morcillo-Medina, Vicente Wingeyer Dominica; Address: Iván Moschner
Other features intimate-just-show, will on Monday 23 and 30 November and 7 December at 20.30 pm. in the nearby cultural center inaugurated Yatay 334, Ciudad Autónoma de Buenos Aires.
Tuesday, October 6, 2009
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PERFORMANCE WORKSHOP Conducted by: Guillermo Castrillón
HOURS: Tuesdays, Thursdays and Saturdays from 4 to 6.30 pm
DURATION: 1 month (12 sessions)
COST: 200 soles
HOME: Tuesday October 13
DESCRIPTION: This workshop is designed as a laboratory to provide an approach and a greater understanding of performance art, or art in action. Wanted experience through improvisation, creation, induction, management, motivation and the concept on the basis of individual and group action to propose each participant.
OBJECTIVE: Understanding this process in action when it becomes art and how each becomes a creative artist through his own speech
Thursday, October 1, 2009
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I found on Internet an interesting article written by Urko Sangroniz would like to present here. Spectra is dedicated to the music of the Orthodox liturgy, as I know from my experience, always attracts great interest to foreigners visiting Russian churches.
Music from the Orthodox liturgy is written to be sung by a choir a cappella. The faithful can not participate in the musical performance of songs, as these are reserved for a choir to sing properly trained.
participating in the Liturgy past two choirs, one against the other, the first singing in Greek while the latter answered him in Old Slavonic. This practice began to disappear to make way for the present, in which a chorus that sings only in Russian is responsible for interpreting the music during the liturgy.
On the other hand, the use of musical instruments during the celebration of religious services is strictly prohibited. This prohibition is rooted in the ancient customs of the early Christians: they considered music as a kind of divine gift and as such could not be "contaminated" with the instrument emerged from the hand of man. Otherwise would have been nothing short of a sacrilege, so I only used during the celebrations the song was religious. Some argue, however, that this practice meets practical reasons. In any case, whether religious or practice, the truth is that it is a custom adopted by the Orthodox religion.
is why in the Byzantine basilicas and churches no bodies. This helped the song and polyphony were developed greatly, achieving a wide variety of melody, harmony, and timbre, not to mention the large number of effects achieved.
There is also an element that makes this music unique and unrepeatable, deep bass, called "oktavisty" in Russian. I should mention that the natural tessitura of the major voices in Russia is the bass-baritone, and it is this voice that has traditionally been more important in music literature, quite the opposite in Europe, where the music is clearly written for showcasing high-pitched voices .
Choral music of the Orthodox liturgy was to develop to the point that at the end of s. Nineteenth and early twentieth century church services were nothing short of choral concerts with soloists of the great Russian bass Feodor Chaliapin, a singer with a global reputation in his time. All this development is stopped short by the arrival of the Revolution in 1917. Video REJOICE
VIRGIN MARY
Friday, September 18, 2009
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One of the most impressive rooms of the Winter Palace, residence of Russian tsars (now the main building of the Hermitage) is the gorgeous Malachite Room, designed by architect Alejandro Briullov. The intense malachite green tint that covers the columns, pillars, fireplaces, tables, combined with white artificial marble walls, rich luster of gold and red of the upholstery of the furniture at once attract the attention of visitors and produce an unforgettable impression.
The history of this very special room is following: the Italian architect Rastrelli who built the Winter Palace for the Russian Empress Elizabeth destined for this part of the building to a grand and solemn Throne Hall. However, his project was not done. Isabel died in 1761 before seeing the works were finished, and the first true owner of the Winter Palace Catherine II (Catherine the Great) ordered to make the space reserved for the throne room in private quarters.
From the late eighteenth century Russian empresses lived here. The first was Alexander's wife Elizabeth (Princess of Baden), after the wife of Czar Nicholas I Alejandra (the daughter of King of Prussia). In 1830 the French architect Auguste Montferrand created here for the Empress Alexandra Hall Jasper luxurious decorated with jasper columns of gray (porphyry) from Altai. This room served as a "border area" between the halls and private rooms of the Empress. It is curious that even then were here some decorative objects made of malachite, for example the giant vase of malachite under the golden canopy that was preserved until today.
the elegant ballroom of Jasper de Montferrand died during the catastrophic fire that suffered the Winter Palace in 1837, escaped the fire only individual items. Reconstruction of the private apartments after the fire was entrusted to architect Alejandro Briullov (1798-1877), brother of the famous painter Carlos Briullov (author of the painting "The Last Day of Pompeii" is now in the Russian Museum). Briullov plazma in life was to new concepts of beauty and comfort and respect the will of Nicholas I see the room from his wife decorated with malachite. For the coating of pilasters, columns, fireplaces 2200 kilos were used malachite "best quality" given away to the emperor by the wealthy Demidov Russian businessman, owner of the quarries of malachite discovered in the 1830 in the Urals.
surfaces of columns, pilasters and other objects This room is decorated with malachite using a special technique called "Russian Mosaic" malachite finite plates stuck to the limestone base covered with special mastic, the space between the pieces filled with powdered malachite and work was polished. Joining the small piece of malachite artisans trying to get a picture similar to the natural grain of the stone. The bases and capitals of the columns were made of gilded bronze.
artificial marble wall painting again that existed here before the fire. Although author (Italian painter Antonio Vigi) already had at that time 74 years, he could repeat three female fugure decorated this room before. The plant is the allegory of Poetry (a copy of Raphael's Vatican medallion), two side symbolize Day and Night. Returned to their place objects Jasper Hall saved during the fire, furniture made in the workshop Gambs, large vase of malachite.
Malachite Room in the often passed the music concerts to the narrow circle of people close to the imperial family . Here sang opera singers (the famous tenor Giovanni Battista Rubini, the master of bel canto Antonio Tamburini, Polina unsurpassed Viardot Garcia et al.) In 1842 he gave a concert here the famous Hungarian composer Ferenz List. In this room also took place the official presentation of the ladies of the Empress. In 1894 in the Malachite Room of the Princess Alix of Hesse (last emperartiz Russian Alejandra) is dressed for her wedding to Tsar Nicholas II. The first years of their married life the imperial couple had breakfast here on holidays.
During the First World War gathered in this hall charity committees headed by the Tsar's daughters who helped the families of soldiers killed and wounded in the war.
After the February Revolution of 1917 and the abdication of Nicholas II in the Malachite Hall met members of the Provisional Government. On October 25, 1917 in the next room (the last tsar White Dining) ministers of this government were arrested by revolutionaries inspired by Lenin who stormed the Winter Palace.
After this revolution (the Great October Socialist Revolution), the palace became a museum. Now in the Malachite Room presents a part of the collection of objects of malachite from the Hermitage, the richest in the world, which consists of about 200 pieces.
Its main attraction is Tripod round the glass in the form of semi-figurative bronze winged feminine gold made in the early nineteenth century in the manufacture of carving Peterhof. They draw attention to numerous vases, tables, chests, pisapapales and decorative figurines made of this fragile mineral у expensive so valued in Russia.
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Wednesday, September 16, 2009
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Thursday, September 10, 2009
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LIMITED VACANCIES INFORMATION AND REGISTRATION: talleres@teatroracional.com
ASSEMBLY WORKSHOP
Conducted by: Carlos Acosta
HOURS: Wednesday from 6 to 9 pm and Saturday from 9 am to 12 m.
DURATION: 3 months (24 sessions)
COST: 150 soles a month
HOME: Saturday, October 3
OBJECTIVE: Further aspects of theatrical performance.
At the end of the course, participants will be able to act in a theatrical
.
PERFORMANCE WORKSHOP Conducted by: Guillermo Castrillón
HOURS: Tuesdays, Thursdays and Saturdays from 4 to 6.30 pm
DURATION: 1 month (12 sessions)
COST: 200 soles
HOME: Tuesday, October 13
DESCRIPTION This workshop is designed as a laboratory to provide an approach and a greater understanding of performance art, or art in action. Wanted experience through improvisation, creation, induction, management, motivation and the concept on the basis of individual and group action to propose each participant.
OBJECTIVE: To understand this process in action when is transformed into art and how each becomes a creative artist through his own speech
WRITING THEATRE-Levels 1 and 2
Conducted by: Claudia Sacha
HOURS: Saturdays from 10.30 am to 1.30 pm
DURATION: 3 months (12 sessions)
COST: 100 soles a month
HOME: Saturday, October 3
AIMED AT: Over 18 years, interested in entering the field of dramatic writing
aim of providing the necessary tools to theoretical and practical level, to create a theatrical text. Write a short play
WRITING THEATRE - Advanced
Conducted by: Gonzalo Rodríguez Risco
HOURS: Tuesday 7-10 pm
DURATION: 3 months (12 sessions)
COST: 120 soles a month
HOME: Tuesday, October 6
OBJECTIVE: Write a play by an act
WORKSHOP CULTURAL PROJECT DESIGN
Conducted by: Claudia Sacha
HOURS: Saturday 4-6 pm
DURATION: 3 months (12 sessions)
COST: 100 soles a month
HOME: Saturday, October 3
AIMED AT: Over 18 years, cultural management issues concerned
OBJECTIVE: To have basic knowledge needed to develop cultural projects, which can be presented in accordance to the standards of international cooperation. Have the tools to plan a cultural project in the private or individual.
Sunday, September 6, 2009
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In St. Petersburg and its environs begins oto ñ o Leaves the trees turn yellow and red and start to fall. Almost every day it rains, the sky is often gray, but the air temperature is still quite comfortable (at about +17 +20 degrees).
In the fields and orchards at the harvest: this summer has been very generous with forest mushrooms and berries.
The or n samplings of the "gifts of nature" is the favorite sport of the population No Russian or oto ñ o Forest berries (especially blueberries local types) are very tasty strawberries and wanted by the Russian people. The berries are used to prepare cakes and delicacies of jam, jam, compotes. Are also different sweet garden berries: raspberry, currant, gooseberry and others.
Thursday, September 3, 2009
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September 8 is the most tragic date in the calendar St. Petersburg. On September 8, 1941, when fascist troops cut the rail lines entering the city and occupied the surrounding territory, began the siege of Leningrad (as it was called our city during the Soviet era). This siege lasted 900 days and entered history as one of the longest and most cruel in the history of mankind.
It's no coincidence that just now, on the eve of the sad anniversary, when the city pays tribute to defenders of Leningrad and inhabitants of the besieged city, has taken place Solemn Inauguration of the exhibition "Relics of the site."
In the halls of the old mansion Rumyantsev (now a branch of the Museum of the History of St. Petersburg) met the veterans, journalists , workers of museums and other inhabitants of the city. Here they played music and recited poetry on the site, teaching ñ aron photos, veterans recounted their experiences of war were presented to the public the objects of the new exhibition.
For example, in this exhibition you can see the personal belongings of the mountaineers who climbed the domes and needles of the tallest buildings in St. Petersburg to camouflage for who did not serve as a guide for aviators bombarded enemy Diaren the city. Among them there were also women, the most famous was Olga Firsova, graduated from the Conservatory, a professional choir director, fond of mountaineering. His boots and tools are displayed in a special window. There are also toys, books, journals, written notes and other valuable evidence of life in the besieged city that were not previously exposed ever.
Here is also a very famous document, but for the first time is displayed in the original (before copies were provided). This is a small notebook that belonged to Tanya Savicheva school. In his six pages you can read only the brief notes with dates of death of relatives.
1. Genya died on December 28 at 12:00 am 1941
2. The grandmother died on 25 January at 3pm
March 1942. Leka died on March 17 at 5 am
April 1942. Uncle Vasya died on April 13 at 2 pm 1942
5. Uncle Lesha on May 10 at 4 pm
June 1942. Mom on 13 May at 1942 am 730
7. The Savicheva died
8. All died
9. Tania was only
The Diary of Tanya Savicheva was introduced between the documentary evidence of the crimes of the fascists in the Nuremberg Trials.
Among those present at the opening of the exhibition "Relics of the site" had great success a movie made from the black and white photos taken during the siege and combined with color photos of the same places but done now. The author of these photos is Larenkov Sergei, a Russian sailor history buff of St. Petersburg and fotorgafía. His images are breathtaking. Here you can see
address Rumyantsev's Mansion: Angliyskaya Naberezhnaya (English malecon), 44. 571-75-44 Tel.
be exposure to open until February 28, 2010 all d í as except Wednesday from 11.00 to 18.00.